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Masterworks of Western Art
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English
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Table of Contents
From the eVideo
Masaccio's "Profile Portrait of a Young Man" (4:00)
Comparing Profile Portraits (5:05)
Andrea Mantegna's "Crucifixion of Christ" (4:56)
Mantegna's Style and Influence (4:21)
Leonardo da Vinci's "Portrait of Ginevra de' Benci" (2:57)
Leonardo da Vinci's Style in "Portrait of Ginevra de' Benci" (3:22)
Content of "Portrait of Ginevra de' Benci" (2:56)
Raphael's "Portrait of Bindo Altoviti" (4:46)
Raphael's Style in Portraits and Frescoes (4:29)
Titian's "Bacchanal" (3:33)
Style and Content of "Bacchanal (5:43)
Veronese's "The Marriage at Cana" (3:31)
Veronese's "The Marriage at Cana": Content and Controversy (4:33)
More Controversy Over Veronese's "The Marriage at Cana" (1:11)
From the eVideo
St. John Altarpiece (3:30)
Combining Representation and Interpretation (2:29)
Medieval and Realist Styles (3:02)
St. John Alterpiece: Credits (0:33)
"Portrait of a Young Woman" (2:30)
Improving on Reality (3:26)
Modern Framing Technique (3:20)
Credits: Portrait of a Young Woman (0:31)
"Adoration of the Magi" (4:15)
15th Century Perspective Techniques (3:18)
15th Century Visual Technique (1:42)
Credits: Adoration of the Magi (0:32)
"Portrait of an Unknown Cleric" (2:50)
Dürer's Portraits (2:15)
Central Perspective Technique (4:10)
Credits: Portrait of an Unknown Cleric (0:31)
"Portrait of the Artist's Wife with Katharina and Philipp" (3:49)
Depicting 16th century Domesticity (3:52)
Fleeing the Reformation (1:36)
Credits: Portrait of the Artist's Wife with Katharina and Philipp (0:31)
"The Triumph of Death" (6:24)
Depicting 16th Century Mortality (2:52)
Credits: The Triumph of Death (0:40)
From the eVideo
The Young Lute Player (2:47)
"Bacchus" (2:21)
"Supper at Emmaus" (1:12)
"Judith Beheading Holofernes" (1:29)
Italian Baroque Pioneer (1:16)
Credits: The Young Lute Player (0:34)
"The Return of the Prodigal Son" (4:49)
Exposing the Inner World (1:41)
Rembrandt's Themes (2:47)
Credits: The Return of the Prodigal Son (0:34)
"The Garden of Love" (3:55)
Satirizing Love (2:36)
Mythology of Romance (2:42)
Credits: The Garden of Love (0:35)
"Samson and Delilah" (9:17)
Credits: Samson and Delilah (0:34)
"Las Meninas" (4:17)
Depicting a Weak Kingdom (2:37)
Baroque Realism (2:21)
Credits: Las Meninas (0:33)
"The Large Forest" (2:23)
"Landscape in a Thunderstorm" (1:24)
Natural Reality (5:28)
Credits: The Large Forest (0:30)
From the eVideo
Edward Munch, "Ashes": National Gallery Oslo (2:11)
Emotional Symbolism: Edward Munch, "Ashes" (1:02)
Interpretation: Edward Munch, "Ashes" (1:37)
Edward Munch: "Ashes" and "Frieze of Life" (1:23)
Edward Munch: Extreme States of Mind (1:47)
Universal Themes: Edward Munch (1:09)
Franz Marc, "The Tiger": Municipal Gallery Lenbachhaus, Munich (1:33)
Franz Marc, "The Tiger": Abstract Form (2:00)
Franz Marc, "The Tiger": "Der Blaue Reiter" (0:45)
Franz Marc, "The Tiger": New Romanticism (1:08)
Franz Marc, "The Tiger": Cubist Influence (2:09)
Franz Marc, "The Tiger": "die Tiere ihre Adern" (1:31)
Ernst Ludwig Kirchner, "Five Women in the Street": Museum Ludwig, Cologne (2:29)
Kirchner, "Street Scenes": Truth of the Scene (1:32)
Ernst Ludwig Kirchner: Die Brcke (2:11)
Kirchner's Self Review of "Women in the Streets" (1:52)
Kirchner's World View (1:02)
Max Beckmann, "Actors" (Triptych) : Harvard University Art Museums, Cambridge (1:51)
Description of Max Beckmann's "Actors" (2:08)
Speculation on Beckmann's "Actors" (2:10)
Meaning in Beckmann's "Actors" (1:55)
Puzzle of Beckmann's "Actors" (1:01)
Georg Baselitz, "The Great Friends": Museum Moderner Kunst, Vienna (1:48)
Georg Baselitz: Dissecting the Setting (2:01)
Georg Baselitz: Understanding the Figures (1:11)
Georg Baselitz: Human Integrity (1:32)
Georg Baselitz: "The Great Friends" (1:09)
Baseltiz: Separate Images of One Figure (1:25)
Anselm Kiefer, " Interior": Stedelijk Museum, Amsterdam (1:28)
Anselm Kiefer, "Interior": Texture and Surface (0:56)
Anselm Kiefer, "Interior": Architectural Perspective (2:37)
Anselm Kiefer, "Interior": Inspiration (2:08)
Anselm Keifer, '"Interior": High Renaissance and Mathematical Perspective (1:54)
From the eVideo
Juan Gris' "The Breakfast Table" (4:26)
Juan Gris' "The Violin" (4:43)
"Sad Young Man on a Train" (2:13)
Duchamp's "Nude on a Staircase" (7:12)
Delaunay's "Champ de Mars" (5:41)
Robert Delaunay's Circular Forms (3:28)
Sonia Delaunay's ""Electric Prisms" (6:40)
Sonia Delaunay's Career (3:12)
Malevich's "An Englishman in Moscow" (5:23)
Kazimir Malevich's Mysticism (3:55)
Umberto Boccioni's "Farewells" (5:17)
Umberto Boccioni's Cubism (3:40)
From the eVideo
Kurt Schwitters: German Artist (6:02)
Schwitters: Artist in Transformation (3:01)
Hannah Hch: Dadaist (4:41)
Hannah Hch and the Berlin Dadaists (4:21)
George Grosz "Untitled" (4:20)
George Grosz: Artist and Political Satirist (4:44)
Joan Miro: Spanish Surrealist (6:29)
Joan Miro: "Dutch Interior II" (2:35)
Salvador Dali: "The Burning Giraffe" (4:02)
Salvador Dali: Motifs and Fetishes (5:01)
Man Ray's "La Fortune" (3:52)
Man Ray: Artist of the Unexpected (5:11)
From the eVideo
Abstract Art vs. Figurative Art (1:33)
Color in Kline's Art (3:52)
"C&O's" Impact as an Action Painting (3:38)
Frankenthaler's "Mountains and Sea" (4:48)
The Impact of Frankenthaler's Work (4:15)
De Koonigs's "Morning:The Springs" (3:10)
Willem de Koonig's Works (5:49)
Johns' "Flag" and Later Works (5:03)
Johns' Use of Media and Titles (3:59)
Pop Art and Andy Warhol (3:08)
Rauschenberg vs Warhol (5:52)
Lichtensteins "Girl With Hair Ribbon" (4:12)
Lichtensteins Style and Themes (4:49)
From the eVideo
American Gothic: Subjects (2:26) --
'American Gothic': Symbolism (3:04) --
'American Gothic': Regionalism (1:26) --
'American Gothic': Cultural Critique (2:12) --
Credits: 'American Gothic' (0:32) --
'The White Calico Flower': Form (1:51) --
'The White Calico Flower': Natural Principle vs. Representation (2:16) --
'The White Calico Flower': Symbolism (1:46) --
'The White Calico Flower': Natural Omnipotence (2:13) --
'The White Calico Flower': Overcoming Modern Indifference (1:04) --
Credits: 'The White Calico Flower' (0:35) --
'Twenty Cent Movie': Introduction (1:48) --
'Twenty Cent Movie': New Deal Era (2:43) --
'Twenty Cent Movie': Interpreting Reality (2:56) --
'Twenty Cent Movie': Allegorical Elements (1:46) --
Credits: 'Twenty Cent Movie' (0:34) --
'Nighthawks': Themes (0:44) --
Hopper's Form and Style (1:43) --
'Nighthawks': Subjects (1:48) --
Typical American Settings (1:40) --
'Nighthawks': World View (1:57) --
Hopper's Legacy (1:20) --
Credits: 'Nighthawks' (0:34) --
'Christina's World': Setting (2:11) --
'Christina's World': Subject (2:04) --
'Christina's World': Objective Realism (1:36) --
'Christina's World': Cultural Appeal (1:59) --
'Christina's World': Inspiration (1:22) --
Credits: 'Christina's World' (0:33) --
'Ansonia': Photorealism (1:48) --
'Ansonia': Points of Interest (1:31) --
'Ansonia': Composition (2:10) --
'Ansonia': Photorealism (1:49) --
'Ansonia': Contradictions (1:54) --
Credits: 'Ansonia' (0:38)
Author Notes
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Subjects
Subjects
20th century
Art
Art, Baroque
Art, Flemish
Art, Medieval Europe
Art -- History
Educational films
History
Internet videos
Modernism (Art)
Painting
Painting, American
Painting, American -- 20th century
Painting, Baroque
Painting, Renaissance
Painting, Renaissance -- Netherlands
Painting -- Netherlands
Realism in art
Realism in art -- United States -- 20th century
Videorecording
Art
Art, Baroque
Art, Flemish
Art, Medieval Europe
Art -- History
Educational films
History
Internet videos
Modernism (Art)
Painting
Painting, American
Painting, American -- 20th century
Painting, Baroque
Painting, Renaissance
Painting, Renaissance -- Netherlands
Painting -- Netherlands
Realism in art
Realism in art -- United States -- 20th century
Videorecording
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Contributors
Digital Classics (Firm) production company
Films for the Humanities & Sciences (Firm)
Infobase film distributor
Films for the Humanities & Sciences (Firm)
Infobase film distributor