Ladybug's efforts to put on a show for her family and friends may be ruined if her little brother, Fly, gets in on the act--or maybe not.

Convinced she'll get the lead in the community theater's newest production, autistic girl Maya, who lives and breathes musicals, finds things not turning out exactly the way she planned and must figure out how to play the part that truly feels like her own.

Charlie and her best friend Nicole never dreamed that auditioning for the junior high's musical would lead to this much drama! Charlie gets stuck babysitting her little sister--and her sister's imaginary friend--at rehearsals. The school's theater diva has it out for her. And who gets picked to play the male lead? The cutest guy in school! But when the curtain finally goes up, the spotlight falls on something no one expected-- especially Charlie.

When she auditions for the school musical, Beverly is too frightened to make a sound, but she ends up being very important to the class's performance.

Maxine, with the help of an over-enthusiastic genie, makes a wish that has everyone at the Fairy Tale Reform School focusing on producing a musical rather than figuring out how to combat Rumpelstiltskin.

When E.T.: The Musical closes, Nate reluctantly returns home to begin high school and, with his best friend, Libby, makes a project of turning Dickens' Great Expectations into a musical.

"Larger-than-life Tiny Cooper finally gets to tell his story, from his fabulous birth and childhood to his quest for true love and his infamous parade of ex-boyfriends, in the form of a musical he wrote"--

Now on Broadway as second understudy for E.T., Nate Foster keeps in close contact with his best friend, Libby, as he faces his nemesis, Jordan Rylance, and his own insecurities as the cast member with the least training and experience.

It seems that aspiring playwright Natalie and musician Reid have been in competition all their young lives, but when they are forced to compete for scarce school budget dollars they embark on an all-out prank war which backfires; now they are forced to cooperate, pool their talents and ambitions to produce a school musical--and not only is cooperation an unfamiliar role, but they are suddenly starting to have feelings for each other.

Green, a non-binary middle-schooler, comes into their own in no small part by fighting for gender-free casting in their school's production of The Wizard of Oz.